My Opinion: Jón Gnarr - Icelandic Meat Soup Jon Gnarr skrifar 30. maí 2015 09:00 Nationalism seems to be on the rise in Iceland today. People talk much about the so-called national culture, and cite history. This is especially prominent in political debate. Strangely, the debate is rarely about what I find the most Icelandic of all: the gift of poetry itself and artistic expression. It is not tangible enough. The Icelandic national culture seems, for the most part, to evolve around corpulent men who once said something, about processed meat, and some peculiar type of arrogance. Everything natural is turned upside down, and it isn’t the water that hollows the stone, it is the stone that hollows the water with a loud splash. Tenderness is gutlessness and poets are slouches who should stop writing their worthless nonsense and get a job, preferably in meat processing. Importunity and aggression are considered a virtue. Gentleness and politeness are not necessary. Why stand and wait in a line like a moron when you can so easily jump the queue?Vikings It is often maintained that our ancestors were all great Vikings. That’s not quite true. A few Vikings came here, but it was young farmers, slaves and losers who formed the bulk of the settlers of Iceland. It was not considered prestigious to live in or come from Iceland. The Icelandic sagas, especially the Book of Settlements, are our main source of information about the settlement. The Icelandic sagas, however, are not quite trustworthy records. The scribes wrote them down after older oral sources. The sagas are marked by poetic inspiration and exaggerations. Even though they pretend to relate true events, there seems to be a lot there for other reasons than to reflect the truth. No-one really knows why these stories were written. To some extent it was done for political reasons. The first Icelanders were accused of being the descendants of slaves and villains. That’s what they were called in ancient times, but today they would probably be called quitters and losers. People wanted to refute this by writing long genealogies that made them the descendants of Norwegian chieftains. It was also important to secure legal ownership of land. There are few records about peasants and slaves. The sagas are written about a small upper class, and with their needs in mind. Much of it is even a complete lie. For example, I seriously doubt that Ingólfur Arnarson ever existed. I think he was made up, like many others, for the purpose of propaganda.No dogs no Irish! In the Icelandic sagas it is usually maintained that we are all descended from Norway. Examinations of our genome, however, show more Irish blood than was previously presumed. Research indicates that almost a third of the settlers came from the British Isles. And most of them seem to have been women. It could be argued that a majority of our foremothers were British. But our Gaelic heritage has died for the most part and succumbed to our ardor to make us Norwegian. That was considered respectable while everything Irish was shameful. The Irish influence has been disregarded, even obliterated. I think the prejudice against red haired people has been, and even still is, part of this. We redheads are living proof of our ancestry. Perhaps the Gaelic heritage lost because it was so connected to women. The soft and artistic, feminine nerve could not compete with the Norwegian artless and practical importunity. It is also the habit of barbarians to treat artist like losers. I am inclined to think that our ancestors were, for the most part, peaceful and thoughtful people who were running away from the macho madness and bullying of the Vikings. People came here looking for peace and security. I think many of these people were poets. Creative people are rarely brawlers. Therefore, Iceland was an ideal place for all kinds of dreamers. Our nation has one of the highest percentages of ADHD. We are an artistic people. Not everyone succeeds. Creative people often lean towards insobriety. Most criminals suffer from attention-deficiency and a large majority of prisoners committed their crime under the influence. Many criminals are misunderstood artists. And now, when Icelandic politicians are yet again rewriting the history of Iceland for their own advantage, I want to say that I am proud of being an Icelander and the descendant of Irish slaves and losers. I think it is about time that this neglected part of our history gets more attention. It deserves it, and I think it would be very good for us as a nation. In fact, nothing is all-Icelandic, except the language. This is the Icelandic national culture. And it is the Icelandic wretches and losers who have preserved it because they are so often the kind of people who like to prattle and tell stories until someone yells: “Shut up, you loser, and go to work!” Wishing you a good weekend and all kinds of everything for losers! Viltu birta grein á Vísi? Kynntu þér reglur ritstjórnar um skoðanagreinar. Senda grein News in English Mest lesið 75 milljóna rangfærsla í samþykktum ársreikningi Krabbameinsfélags Íslands Einar Páll Svavarsson Skoðun Af morðingjum og mannkostum Svala Magnea Ásdísardóttir Skoðun Skattahækkanir sem beinast gegn Suðurlandi Ásta Stefánsdóttir Skoðun Hvar er karlmannadagurinn? Íris Erlingsdóttir Skoðun Innleiðing nýs einkunnakerfis – Sjaldan verður flýtiverk til fagnaðar Skoðun Að nota börn til að næra sitt eigið egó Helga Snædal Skoðun Ekki orð um heimsins lengstu biðlista… Vilhjálmur Hjálmarsson Skoðun Virkari eigandi og ný nálgun í stjórn Norðurorku Berglind Ósk Guðmundsdóttir Skoðun Hver pantaði börn með þessu ADHD? Jóna Kristín Gunnarsdóttir Skoðun Sniglar á götunni Kristján Logason Skoðun Skoðun Skoðun Innleiðing nýs einkunnakerfis – Sjaldan verður flýtiverk til fagnaðar skrifar Skoðun Af morðingjum og mannkostum Svala Magnea Ásdísardóttir skrifar Skoðun Skattahækkanir sem beinast gegn Suðurlandi Ásta Stefánsdóttir skrifar Skoðun Hvar er karlmannadagurinn? Íris Erlingsdóttir skrifar Skoðun Ekki orð um heimsins lengstu biðlista… Vilhjálmur Hjálmarsson skrifar Skoðun 75 milljóna rangfærsla í samþykktum ársreikningi Krabbameinsfélags Íslands Einar Páll Svavarsson skrifar Skoðun Virkari eigandi og ný nálgun í stjórn Norðurorku Berglind Ósk Guðmundsdóttir skrifar Skoðun Hækkun matarverðs lífeyrisþega á undan innri úttekt Sigurður Sigurðsson skrifar Skoðun Tengslarof ríkistjórnarinna við atvinnulíf og samfélög á landsbyggðinni Sonja Lind E. Eyglóardóttir skrifar Skoðun Hver pantaði börn með þessu ADHD? Jóna Kristín Gunnarsdóttir skrifar Skoðun Sniglar á götunni Kristján Logason skrifar Skoðun Kynslóðin sem mátti aldrei sýna tilfinningar getur ekki lengur sofið Sigríður Svanborgardóttir skrifar Skoðun Skipulagið grefur undan séreignarstefnunni – brött brekka fyrir fyrstu kaupendur Sigurður Stefánsson skrifar Skoðun Myrkraverk í Afríku Gunnar Salvarsson skrifar Skoðun Skaðabætur frá síðustu öld Hópur lögmanna skrifar Skoðun Að nota börn til að næra sitt eigið egó Helga Snædal skrifar Skoðun Veitingageiranum var hent undir vagninn Einar Bárðarson skrifar Skoðun Ætlum við að fækka bílum eða bara ökumönnum með sjálfkeyrandi bílum? Kristín Hrefna Halldórsdóttir skrifar Skoðun Úr öskunni í eldinn Ingveldur Anna Sigurðardóttir skrifar Skoðun Hamfarir í hversdagslegum kringumstæðum Sanna Magdalena Mörtudóttir skrifar Skoðun Heimilin eiga ekki alltaf að borga brúsann Alexander M. Árnason skrifar Skoðun Fleiri krónur taldar – fáar nýjar Daði Freyr Ólafsson skrifar Skoðun „The Concert of Three“. Samráð stórveldanna þriggja – ný leið til heimsfriðar? Aðalsteinn Júlíus Magnússon skrifar Skoðun Mikilvægt er að draga lærdóm af smáíbúðamálinu i Hafnarfirði Árni Rúnar Þorvaldsson skrifar Skoðun Farsælt ferðalag fólks og fisks Heiðrún Lind Marteinsdóttir skrifar Skoðun Orkan í ólgusjó efnahagsmála Tinna Traustadóttir skrifar Skoðun Fæðingarorlof fyrir ömmu og afa? Magnea Gná Jóhannsdóttir skrifar Skoðun Gott bú stendur undir sér Róbert Ragnarsson skrifar Skoðun Loksins get ég notið þess að vera heima Ingibjörg Dóra Scheving Bjarnadóttir skrifar Skoðun Þegar samþykki virðist verða að ábyrgð brotaþola Herdís Ósk Sveinbjörnsdóttir skrifar Sjá meira
Nationalism seems to be on the rise in Iceland today. People talk much about the so-called national culture, and cite history. This is especially prominent in political debate. Strangely, the debate is rarely about what I find the most Icelandic of all: the gift of poetry itself and artistic expression. It is not tangible enough. The Icelandic national culture seems, for the most part, to evolve around corpulent men who once said something, about processed meat, and some peculiar type of arrogance. Everything natural is turned upside down, and it isn’t the water that hollows the stone, it is the stone that hollows the water with a loud splash. Tenderness is gutlessness and poets are slouches who should stop writing their worthless nonsense and get a job, preferably in meat processing. Importunity and aggression are considered a virtue. Gentleness and politeness are not necessary. Why stand and wait in a line like a moron when you can so easily jump the queue?Vikings It is often maintained that our ancestors were all great Vikings. That’s not quite true. A few Vikings came here, but it was young farmers, slaves and losers who formed the bulk of the settlers of Iceland. It was not considered prestigious to live in or come from Iceland. The Icelandic sagas, especially the Book of Settlements, are our main source of information about the settlement. The Icelandic sagas, however, are not quite trustworthy records. The scribes wrote them down after older oral sources. The sagas are marked by poetic inspiration and exaggerations. Even though they pretend to relate true events, there seems to be a lot there for other reasons than to reflect the truth. No-one really knows why these stories were written. To some extent it was done for political reasons. The first Icelanders were accused of being the descendants of slaves and villains. That’s what they were called in ancient times, but today they would probably be called quitters and losers. People wanted to refute this by writing long genealogies that made them the descendants of Norwegian chieftains. It was also important to secure legal ownership of land. There are few records about peasants and slaves. The sagas are written about a small upper class, and with their needs in mind. Much of it is even a complete lie. For example, I seriously doubt that Ingólfur Arnarson ever existed. I think he was made up, like many others, for the purpose of propaganda.No dogs no Irish! In the Icelandic sagas it is usually maintained that we are all descended from Norway. Examinations of our genome, however, show more Irish blood than was previously presumed. Research indicates that almost a third of the settlers came from the British Isles. And most of them seem to have been women. It could be argued that a majority of our foremothers were British. But our Gaelic heritage has died for the most part and succumbed to our ardor to make us Norwegian. That was considered respectable while everything Irish was shameful. The Irish influence has been disregarded, even obliterated. I think the prejudice against red haired people has been, and even still is, part of this. We redheads are living proof of our ancestry. Perhaps the Gaelic heritage lost because it was so connected to women. The soft and artistic, feminine nerve could not compete with the Norwegian artless and practical importunity. It is also the habit of barbarians to treat artist like losers. I am inclined to think that our ancestors were, for the most part, peaceful and thoughtful people who were running away from the macho madness and bullying of the Vikings. People came here looking for peace and security. I think many of these people were poets. Creative people are rarely brawlers. Therefore, Iceland was an ideal place for all kinds of dreamers. Our nation has one of the highest percentages of ADHD. We are an artistic people. Not everyone succeeds. Creative people often lean towards insobriety. Most criminals suffer from attention-deficiency and a large majority of prisoners committed their crime under the influence. Many criminals are misunderstood artists. And now, when Icelandic politicians are yet again rewriting the history of Iceland for their own advantage, I want to say that I am proud of being an Icelander and the descendant of Irish slaves and losers. I think it is about time that this neglected part of our history gets more attention. It deserves it, and I think it would be very good for us as a nation. In fact, nothing is all-Icelandic, except the language. This is the Icelandic national culture. And it is the Icelandic wretches and losers who have preserved it because they are so often the kind of people who like to prattle and tell stories until someone yells: “Shut up, you loser, and go to work!” Wishing you a good weekend and all kinds of everything for losers!
75 milljóna rangfærsla í samþykktum ársreikningi Krabbameinsfélags Íslands Einar Páll Svavarsson Skoðun
Skoðun 75 milljóna rangfærsla í samþykktum ársreikningi Krabbameinsfélags Íslands Einar Páll Svavarsson skrifar
Skoðun Tengslarof ríkistjórnarinna við atvinnulíf og samfélög á landsbyggðinni Sonja Lind E. Eyglóardóttir skrifar
Skoðun Kynslóðin sem mátti aldrei sýna tilfinningar getur ekki lengur sofið Sigríður Svanborgardóttir skrifar
Skoðun Skipulagið grefur undan séreignarstefnunni – brött brekka fyrir fyrstu kaupendur Sigurður Stefánsson skrifar
Skoðun Ætlum við að fækka bílum eða bara ökumönnum með sjálfkeyrandi bílum? Kristín Hrefna Halldórsdóttir skrifar
Skoðun „The Concert of Three“. Samráð stórveldanna þriggja – ný leið til heimsfriðar? Aðalsteinn Júlíus Magnússon skrifar
Skoðun Mikilvægt er að draga lærdóm af smáíbúðamálinu i Hafnarfirði Árni Rúnar Þorvaldsson skrifar
75 milljóna rangfærsla í samþykktum ársreikningi Krabbameinsfélags Íslands Einar Páll Svavarsson Skoðun